- Gnome Stew - http://www.gnomestew.com -

Johnny’s Five – Five Ways To Get Your Players Into Shared Narrative When It Isn’t The Focus Of The Game

Posted By John Arcadian On December 22, 2009 @ 2:15 am In Johnny's Five | 6 Comments

It is no secret that I’m a fan of shared narrative in the games I run and create. If you are unfamiliar with the term, shared narrative is essentially handing narrative control of the story over to the players instead of the Game Master. If you want a more detailed explanation of shared narrative, here is an article that I wrote on the subject a while back. 

Some games make shared narrative the cornerstone of their concept and I definitely enjoy these types of games. I also love getting those elements of shared narrative into more traditional games. The entire feel of an action sequence changes when the player describes their character’s actions and effects on the game instead of the Game Master doing it. If you’re trying to get a little more shared narrative into your gaming group, here are 5 quick tips that might help you out.

1. Set Guidelines, Ask Questions, Use Examples
As a GM, I’m no fan of telling the players what to do. However, when it comes to unfamiliar concepts it is sometimes necessary to provide guidelines that people can work within.

For example, lets say that the current session has the  characters jumping from a fast moving train to a train car that was detached. You’ve decided it would be much more cinematic to have the players describe how it happens, but they aren’t really taking to it. They just say things like: “I jump and grab onto the other car.”  Not very cinematic, but a necessary part of the description nonetheless. In order to get something more dramatic, take that easy answer away and ask them for elaboration. Give them an example to build off of. Say: “Ok, you make your roll and jump to the other car. What does it look like? Is it more heroic and dramatic like Indiana Jones being a badass, or is it more comedic like Wiley E. Coyote, but with your character barely making it? How does it happen?”

Now the player has scenes in his head that he can pull elements from and change around, instead of a big blank canvas that might seem intimidating. Since you ended with a fairly open question, the player is encouraged to break away from the examples you gave.

2. Shared Narrative Is Much Like Acting, Get Up And Move
Shared narrative is not larping, but it is like acting. The player has to get much more into the mindset of the character and the landscape of the current game situation when they take some of the narrative control. To help achieve this, have them stand up and show you some of what is happening. When they player describes that they grab the ledge right before they fall, ask them to show you how they are holding on. It sounds silly, and it is a bit, but it can help break some narrative barriers. One of the most awesome game moments I ever had, as a player, was a one on one combat with a yeti type creature. The GM and I mimed out our actions and attacks, and then rolled our die consecutively. The rest of the group stared with rapt attention for the entire fight. It wasn’t anything more than two geeks swing imaginary swords, but the narrative we were telling grew to epic levels because of the aid it gave to the visualization.

3. Award A Mechanical Bonus For Good Narrative
Players who are entrenched in the mechanical side of a game might need some mechanical incentive to get into narrative. Offer up a bonus of some kind for good shared narrative on the players’ parts. Set a generic diplomat in front of them and ask them to describe his mannerisms and personality to you. Tell them you will act it out based on what they describe and that you’ll give them a small bonus (+1 die, +2 on their roll, etc.) when they negotiate with him. Tell the players that a really nifty description of their attack will give them +1d6 damage on their roll. It can be a great incentive. It can also cause a kind of storytelling min-maxing, with players telling just enough that they expect the mechanical bonus. I’d suggest the mechanical bonus method as a sometimes bonus.

4. Award An Extra Experience Award For Narrative
One way that I like to award players for getting into narrative is by giving them an experience award for narrative throughout the session. Since the players know they aren’t getting one bonus for one really good description, but a bonus for their multiple descriptions, they tend to do it more often but with less fervor. Rewarding a player for taking narrative control with a mechanical bonus is like giving a kid a toy for being  good at that moment. Rewarding a player with extra experience at the end of the session is like getting a child to be good all year so they get presents at Christmas.

5. Provide Good Opportunities For Narrative

While in the gaming room at this year’s Con On the Cob, I overheard someone running an Arabic themed storytelling game. The goal of the game seemed to be getting the players to tell stories, ala 1001 Arabian Nights. The person who was running the game used a framework where the characters were forced to tell the stories to save their characters from the evil sultan. While this was incredibly blunt, it did the trick.   A player isn’t going to jump in and start utilizing narrative control in a traditional game without an opportunity or a reason to do so.

Make the opportunity relevant.  Asking a player to describe the decor of the Inn they just walked into will provide an opportunity, but not a very good one. Asking the player to describe the Inn that they grew up in and are returning to after 5 years is much better. The narrative suddenly became personal to the character, and thus to the player.

 

Shared narrative is a great tool that can really liven up a game and a story. The best thing that I’ve found about shared narrative is the player getting to make their character cool through their own description. Sometimes all it takes to get a player into narrative like this is to say: “You killed the monster, tell me how it happens.” Sometimes it takes a little prompting and reward to get a player into it. Shared narrative isn’t for every player or group, but it is definitely something to try. Hopefully these tips help you to incorporate it. Do you use shared narrative in your more traditional games? How did you introduce it?

About  John Arcadian

John Arcadian is the head of Silvervine Games, a freelance writer and art director, a website developer, a builder of sonic screwdrivers, and a purveyor of kilted mayhem. When he isn't out causing trouble in his kilt... Well, no, that is pretty much what he does when he isn't running RPGs or or trying to take over the world.




6 Comments (Open | Close)

6 Comments To "Johnny’s Five – Five Ways To Get Your Players Into Shared Narrative When It Isn’t The Focus Of The Game"

#1 Comment By Scott Martin On December 22, 2009 @ 1:41 pm

The first point is great– often, stepping from “tell me how much damage you do” to “describe everything” is big enough to confuse people. Specific questions do a great job of nurturing the right level of responses– so you can get the dramatic leap without having them describe the villain’s tactics, altering the scenery– or whatever limit you’re imagining. (If you play with kids– or even adults new to roleplaying– often the difficulty comes from getting them to limit their descriptions, rather than having to coax out extra details.)

Your second suggestion, “Show me”, is great for getting more description– and is also good for correcting “too enthusiastic” descriptions, where one character tries to do 5 things in one action’s time.

#2 Comment By Burn_Boy On December 22, 2009 @ 2:00 pm

We do this to an extent in my group. I’m not the most literary inclined person so I’ll give a basic outline of something and one of my players will kinda step in and give the scene a bit of extra flair. We also get very into this when we have our “Boss monster” fights.

I’m going to test this in my next few quests, I know that most of my players will embrace this, they’re very good at taking the freedoms I give them and running with them.

#3 Comment By Kurt “Telas” Schneider On December 22, 2009 @ 2:48 pm

I love this idea, and occasionally try to wrest a bit of narrative from the GM when I’m a player, but some players just aren’t cut out for this. Call it unfamiliarity with narration, stage fright, option paralysis, or just indecision, but some players definitely need to walk or even crawl before they can “run with it”.

Anyone have advice for drawing players out of their shells?

#4 Comment By Razjah On December 22, 2009 @ 7:32 pm

@Kurt “Telas” Schneider: I used little bits of XP. 100-200 a session won’t really make or break anything, but to players it’s a huge deal. My players eat stuff like 25xp like it’s candy so I use things like that. Another thing I tried was 500 xp to everyone (not divided- I had to make that a selling point) at the end of a session (6hrs at the time) if the players didn’t break character-including talking about tactics. It was amazing watching the smart player with the dumb character trying to justify how he knew how to solve a puzzle.

#5 Comment By Pseudo On December 23, 2009 @ 7:40 am

Hey Johnny – the game you ran across was 1001 Nights by Meg Baker: http://www.nightskygames.com/

The shared narrative, and the framework of telling stories to appease the sultan are core components of the game. It’s a really cool game.

#6 Comment By Kurt “Telas” Schneider On December 23, 2009 @ 9:35 am

@Razjah – I run Savage Worlds, and have offered Bennies for narrative input. I’ve even considered offering supplementary amounts of wild ass, but nothing seems to get much response.

I think three things are to blame: The overfull schedule of the modern adult (with spouse, children, and salaried job), a general lack of confidence, and emotional scars from the rat-bastardy of prior GMs.


Article printed from Gnome Stew: http://www.gnomestew.com

URL to article: http://www.gnomestew.com/johnnys-five/johnnys-five-five-ways-to-get-your-players-into-shared-narrative-when-it-isnt-the-focus-of-the-game/

All articles copyright by their individual authors. All rights reserved.